Hello!
My next area of research is relating to the credit sequences in popular drama films.
Waves is my absolute favorite movie ever, but I don't ever wanna watch it again. I do consider this a drama as well as a romance, since it navigates the struggles of adolescence and domestic violence. With political commentary on the anti-abortion protests and teen pregnancy as well, I think this is a film that everyone should watch at least once in their life. The credits roll as we follow a high school senior boy through moments in his life. As he drives with his girlfriend, the camera spins in a 360 direction, mimicking the euphoric, careless feeling of young love in it's prime. The boy wrestles and goes to the gym, highlighting the toxic masculinity often pushed onto the youth. Shown in tight shots, he is shown under a lot of preassure. This sequence is one of my favorites because in the first 3 minutes alone, every future conflict is touched upon just by following through his daily life, highlighting its fragility.
Although this movie is technically a biopic/crime drama, Catch Me If You Can has a very creative title sequence that I am a huge fan of. With sleuth-y, mystery jazz music in the background, animations of a black suited figure are shown darting around airports, countries, and banks. Highlighting Frank Abagnale Jr.'s whereabouts throughout his years as a con artist, the plot of the movie is entirely given through a different medium. I love how the sneakiness of his character is displayed through movement and sound alone, as the drawing is generally expressionless, almost like his shadow, as the FBI continually let him slip through their fingers. I would not choose this kind of illustrated medium to immitate myself, but I do appreciate how it embodies the energy of the film while also leaving the exact events a mystery.
One of my favorite credit sequences is in Jojo Rabbit. It's a period piece, taking place in Nazi Germany during World War II, and it follows a boy as he runs to a Nazi program for training young soilders. As he races down the street, "I Wanna Hold Your Hand" by the Beatles plays in German, cutting to several montages of Hitler's rallies. I love the usage of music in this sequence and it makes me really want to find a good song to use for my own. Finding something I like that's not copyrighted will be difficult, but it makes all the difference. Especially when considering this film, it clearly affects the mood of the movie right from the start, and it paints this time period in the positive light that this innocent boy sees it as.